

Kilmer went on to do The Saint with a salary of $6 million. It seems his negotiations did not work in his favor, with Schumacher claiming to have fired him at different times due to his unreasonable demands and on-set behavior. In February 1996, Kilmer's publicist claimed that he decided not to return for another Batman feature film, feeling that Batman was being marginalized in favor of the villains. The film also brought the film interpretation of Bruce Wayne more into line with his comic book counterpart, showing him as a seasoned celebrity of the media and a very public figure rather than the neurotic recluse of the two previous films. Defenders of Batman Forever praised the film for portraying Batman as a more heroic, less ruthless, and more human character than in the Tim Burton films. Val Kilmer created art of himself for DC FanDome.įilm critic Leonard Maltin (who heavily criticized the dark tone contained in Batman Returns) complimented Kilmer's portrayal when he reviewed the film as well as being very favorable of Batman Forever as a whole. Other critics, such as Roger Ebert, had kinder words for Kilmer. There was debate about the performance of Kilmer some critics charged that Kilmer, while physically fit to play Batman, more so than Keaton had been, gave a wooden performance as Bruce Wayne. Released in June 1995, Batman Forever was a success at the box office, despite receiving mixed reviews from critics.

Kilmer took the role without even knowing who the new director was and without reading the script. In July 1994, Keaton decided not to return for a third Batman film after 1992's Batman Returns, due to "creative differences." William Baldwin (who previously worked with Schumacher on Flatliners) was reported to be a top contender, though just days after Keaton dropped out, Kilmer was cast.

Schumacher felt him to be perfect for Batman, though at the time, the role was still Michael Keaton's.

In December 1993, Batman Forever director Joel Schumacher had seen Tombstone and was most impressed with Kilmer's performance.
